Category: Rock, Paper, Shotgun

In a year already stacking up plates of delicious indie game dishes so fast they’re toppling over and crashing onto the floor, spilling splattered food over the carpet to be hoovered up by waiting dogs/cats/raccoons/mice, Animal Well is one of the most generous helpings yet. The captivating, combat-free Metroidvania is rich with a delectable buffet of challenges, puzzles and secrets to find even once you’ve seen the credits roll. Still, players have chewed their way through its more-ish platforming and puzzle-solving much faster than its solo developer intended, it turns out. Luckily for us all, creator Billy Basso is already looking ahead to a new game set in the moody zoo-niverse – even if that’s not a complete sequel.

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We’ve known for some time that Fallout was coming to Fortnite, we just weren’t entirely sure in what capacity. Well, now we know that this season’s wasteland offerings take the form of a sort of Mad Max meets Fallout meets Borderlands- battle royale affair. There’s a big emphasis on deserts and vehicles, basically, with highlights including: mechanical fists, turrets on cars, and the possibility of manning one of two War Buses that patrol the reworked map.

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Calling it now: this is the least intriguing article you will read about 11 bit’s The Alters, a blend of Danny Boyle’s Sunshine and Duncan Jones’s Moon in which (deep breath) you are a marooned space engineer who must spawn different versions of himself by means of backstory-branching gadgetry in order to operate an enormous, rolling base and escape the apocalyptic rays of the local sun.

We’re not going to talk about any of that hoity-toity quantum wheeling-and-dealing in this piece, however. We’re going to talk about the fact that the opening stretch reminded me of Gears Of War and the many over-the-shoulder adventures it has influenced. I’m sorry. It’s been a complicated week involving minimal sleep, and I no longer have the grey cells for branching timelines, though they are certainly the more fascinating aspect of this game.

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I cannot compare my experience of writing a review for The Splintered Sea, the first paid expansion for dastardly clever physics puzzle builder Besiege, to that of a journaling sailor facing lethal storms on the horizon. Still, if we take for granted the idea that a review is only really valuable as an insight into the experience of the player: I haven’t been feeling especially great this week. That in mind: Splintered Sea is more Besiege, thoughtfully applied to its already expansive toolkit. More importantly, it’s currently bringing me deep and deeply needed moments of untainted, childlike, vaguely-Orkish joy.

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Skulls! You’ve got one. I’ve got one. Everybody has a lovely skull keeping their lovely face right where it should be. Warhammer is big, so it needs must have multiple of them, hence their yearly event Skulls, which collates a bunch of Games Workshop related announcements into a sort of bizzaro world Nintendo Direct if Yoshi was actually a parasitic corpse emperor. There’s usually at least a few game announcements in there, and this year was a bumper. The headline announcement being an upcoming sequel to well-loved space-pope turn-based strategy Warhammer 40,000: Mechanicus. Yes, yes. I’m getting to the dog.

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While I’ve always thought the race towards graphical hyperrealism isn’t as pervasive as it’s often perceived, Senua’s Saga: Hellblade 2 is definitely one of those games. The kind that probably has twelve artists dedicated to the recreation of visible pores, that sort of thing. It’s so focused on looking pretty that it hasn’t even noticed the title and subtitle got mixed up.

Sure enough, Hellblade 2 is a harsh test for older hardware, with a heavy reliance on DLSS or FSR upscaling to keep performance sweet. That said, it’s no Dragons Dogma 2-style technical horrorshow either. A happy balance of visuals and smoothness is attainable on plush PCs and low-end laptops alike, while DLSS 3 frame generation can deliver an effective kick in the framerate pants on RTX 40 series GPUs.

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In Anthology of the Killer you do not exit the game using a pause menu. You exit it by walking down a back alley into the quavering arms of two hungry bears. This is just one of many laughs your diaphragm will endure as you navigate “the escalating adventures of a girl trying to make zines in a town of giallo-style masked serial murderers”. The horror comedy already won its creators the Nuovo Award at the Independent Games Festival this year, recognition that has been a long time coming for prolific creator Stephen “thecatamites” Gillmurphy. If you’re unfamiliar with his work, you can get acquainted next week, when Anthology of the Killer gets its full release on Itch.io on May 28th. At which point you can explore its unsettling urban hell of shady corporations and cops who think they’re cool. There’s a trailer below.

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Sometimes you gotta know when to fold, and trying to get new hotness RPG Wuthering Waves to play nice with the Steam Deck has got me creasing like an origami crane. While its Epic Games Store release can be worked around, and Proton GE will get the game’s own launcher running, no combination of software, compatibility tools, or installation folder deep-diving seems capable of actually booting the game proper.

As such, I’m accepting defeat. Obviously with apologies to any studious Steam Deck Academy readers.

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Everything And Then The Licensed Kitchen Sink fighting game MultiVersus returns next week after an almost year-long self-imposed post-beta exile. With the decision to pull the game from sale and turn off its servers for months on end after allowing people to sink their real-life money into unlocking costumes and such (with no refunds), its developers are now looking to seemingly give something back in return.

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In a twist of fate I’ve mentioned in some recent Destiny 2 news posts, I am fully back into Destiny. Former vidbud Liam and I used it, initially, as something we could do while catching up on life. But now? Now we’re all in. Liam has created a spreadsheet of things we’re ticking off to prepare for the upcoming expansion, and I think it’s the perfect summation of what the game is to us: something that makes no sense at all and yet something that makes our brains hum with happiness.

And what we’ve found with Destiny, in all of its bloat, is that we haven’t explored for a single second since our return. Everything is accomplished through menus, making it quite Starfield-esque, which is terrible… but also good. We can’t make sense of it and we don’t think we ever will.

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