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Apologies for the two handheld-minded deals posts in a row, readers, but I’ve just noticed that the Prime Day 2024 has made the Lenovo Legion Go – a bulky but commendably unique handheld Windows PC – cheaper than it’s ever been in the UK. Provided you’ve got an Amazon Prime account, or at least the free Prime trial, the 512GB model can be yours for £569, a saving of £131. Not bad, for a device with a higher-rez display and more graphical horsepower than the Steam Deck or Steam Deck OLED.
My favourite ever mode of travel in games is flying, so I was already poised (in mid-air) to really enjoy swooping around the world of Flock. It’s a gentle exploration game from the people who brought you Wimot’s Warehouse and I Am Dead (including Pip Warr, RPS in peace) where you never touch the ground, instead gliding around the strange forests and rippling meadows atop a giant bird with a beautiful trailing tail. Big Journey vibes, but more whimsical and colourful.
My love of the chilly, lightless heavens is equalled only by my love of free things, and right now, Star Citizen ticks both boxes. Cloud Imperium are offering free access to the long-in-the-making space game until July 19th, as part of the latest Foundation Festival. During that fleeting window of opportunity, you can try out 10 ships and enjoy such astral pastimes as stripping wrecks, busting asteroids, or getting blown up by other pilots. If you’re an existing citizen of the stars, there are also festival-themed discounts of various kinds.
The ouroboros is a snake eating its own tail: an infinite thing, a never ending cycle. While I do think this is a rather metal logo, there’s an argument to be made that it’s not current or trendy enough. With this in mind, I think the words “Call Of Duty” should represent the endless, unstoppable nature of existence. And with Call Of Duty: Black Ops 6 revealing its multiplayer open beta and early access dates, we must further consume and be consumed by the circular march of COD. Let’s dolphin dive in, shall we.
I know as much about programming video game monsters as I do the exact flavour and consistency of the sands on Mars, but I’ve always thought the chief advantage of the Slime monster archetype is its economy. A slime, in most games, is a squashy smiley face. Why, I could grow myself one of those right this very instant, by doodling a circle in MS Paint and squinting very hard. Slimes do take more complex forms – chrome slimes, fire slimes, slimes with angry eyebrows, etc – but come now, it’s not on the same level as rebooting Lara Croft’s hair to billow in the blowback from grenades.
The simplicity of slime creation may soon become a distant memory, however, for Epic Games tech artist and current Duck Shake Games Asher Zhu is hell-bent on reinventing the homely Dragon Quest sludgeball as a technical tour de force on par with his previous contributions to Unreal Engine showcase Matrix Awakens. That’s the impression I garner from the below video of Zhu’s latest project, anyway, whose description also tantalises with talk of “Splatoon mechanics in dungeons”.
We do love a good diegetic interface here at the treehouse, whether that’s the analogue radar twisties of HighFleet, or the myriad hefty flickables of PVKK (Planetenverteidigungskanonenkommandant. Duh.) The fifth mech jam is currently happening over at Itch.io, and the clear standout for me thus far is Armored Shell Nightjar. It’s a first person pilot-em-up that puts you in the cockpit of a grasshoppery rust-bucket carrying out a critical mission on an industrial desert planet. The more the intro text stresses the importance of this mission, the more guiltily useless I feel, because I cannot get this beautifully run-down mech to do anything of note, unless you count violently hopping into walls to be notable.
So I’ve just hopped on my motorbike, enjoying one of several pleasingly incongruent classical musical tracks that plays from the radio, on my way to tick tasks off a list in the top right corner of my screen by scavenging an abandoned hospital. It’s a great hospital, by the way. Spotlight-headed phantasma shamble about corridors reminiscent of The Division 2 or The Last Of Us’s naturalia.
Striking, but also within easy reach of comparisons. And if Once Human was purely the collection of x from ys it very much appears to be, I’m not sure I’d have much positive to say about it. On the surface, what you’re getting here is a 6/10 third-person shooter from ten years ago that gleefully spills thumbtacks along any simple paths to progress with live service obfuscation, propped up by a detached crafting and building economy that has you popping mined rocks and chopped wood in the oven then taking out freshly baked shotguns a few minutes later. Its systems run the gamut from numbly enjoyable to being a source of major psychic damage, and even the simple act of replacing your initial tier I rustic baseball cap means navigating several menus, currencies, and resources.
Death Game Hotel came out last week – a comically gory game in which players play casino-style card games around a table and raise the stakes by betting their own limbs. It’s a VR game, which is a break from the norm for White Owls, the studio run by Hidetaka “Swery” Suehiro (then again, what is their “norm”?). It’s also got a big multiplayer component, with lots of jovial bubble-popping and chicken-squeezing between the comedy blood spurts. And this taste of multiplayer mischief has Swery’s head percolating. This game won’t be his last dipped toe in the multiplayer ocean, he told us.
“In the future,” said Swery, “I would like to leverage this experience to challenge myself with something new in the online multiplayer realm (something you probably haven’t even imagined yet).”
If there’s one series that can be relied upon to dole out 80-hour helpings of joy straight into my eager face at regularly scheduled intervals, it’s the RPG brawler stylings of Yakuza/Like A Dragon. One could, I believe, make a convincing argument for Yakuza 0 being – if not the best videogame ever made – then at least the most videogame. While this coming October’s Amazon series won’t be the first live action adaption of Yakuza, I am hopeful its episodic format will give its characters a bit more room to breathe. Or, according to Kiryu actor Ryoma Takeuchi in an interview with IGN, to find the love they’ve always longed for.
“Honey, I shrunk the first-person puzzler. Twice.” This is how I like to imagine the designer of Supraworld explaining the hijinks that unfold in his life. Supraworld, the sequel to toybox explorer Supraland, is going to hit early access this year, say developers Supra Games in an update post on Steam. These are happy words for anyone who enjoyed 2019’s dander among the sandcastles and erasers. A lot of games offer a “sandbox” but in Supraland, the entire world really did take place in exactly that – a sandbox out in a garden, full of toys. The sequel’s launch into early access “might be in october,” says the post. “We’ll see.”
