A former Fortnite tech artist is making the world’s most advanced slime monster in Unreal Engine 5

I know as much about programming video game monsters as I do the exact flavour and consistency of the sands on Mars, but I’ve always thought the chief advantage of the Slime monster archetype is its economy. A slime, in most games, is a squashy smiley face. Why, I could grow myself one of those right this very instant, by doodling a circle in MS Paint and squinting very hard. Slimes do take more complex forms – chrome slimes, fire slimes, slimes with angry eyebrows, etc – but come now, it’s not on the same level as rebooting Lara Croft’s hair to billow in the blowback from grenades.

The simplicity of slime creation may soon become a distant memory, however, for Epic Games tech artist and current Duck Shake Games Asher Zhu is hell-bent on reinventing the homely Dragon Quest sludgeball as a technical tour de force on par with his previous contributions to Unreal Engine showcase Matrix Awakens. That’s the impression I garner from the below video of Zhu’s latest project, anyway, whose description also tantalises with talk of “Splatoon mechanics in dungeons”.

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You’re a better pilot than I if you can get this Mechwarrior meets HighFleet indie’s mech to do literally anything

We do love a good diegetic interface here at the treehouse, whether that’s the analogue radar twisties of HighFleet, or the myriad hefty flickables of PVKK (Planetenverteidigungskanonenkommandant. Duh.) The fifth mech jam is currently happening over at Itch.io, and the clear standout for me thus far is Armored Shell Nightjar. It’s a first person pilot-em-up that puts you in the cockpit of a grasshoppery rust-bucket carrying out a critical mission on an industrial desert planet. The more the intro text stresses the importance of this mission, the more guiltily useless I feel, because I cannot get this beautifully run-down mech to do anything of note, unless you count violently hopping into walls to be notable.

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Once Human review: waiter, there’s some brilliant creature design in my big bland survival soup

So I’ve just hopped on my motorbike, enjoying one of several pleasingly incongruent classical musical tracks that plays from the radio, on my way to tick tasks off a list in the top right corner of my screen by scavenging an abandoned hospital. It’s a great hospital, by the way. Spotlight-headed phantasma shamble about corridors reminiscent of The Division 2 or The Last Of Us’s naturalia.

Striking, but also within easy reach of comparisons. And if Once Human was purely the collection of x from ys it very much appears to be, I’m not sure I’d have much positive to say about it. On the surface, what you’re getting here is a 6/10 third-person shooter from ten years ago that gleefully spills thumbtacks along any simple paths to progress with live service obfuscation, propped up by a detached crafting and building economy that has you popping mined rocks and chopped wood in the oven then taking out freshly baked shotguns a few minutes later. Its systems run the gamut from numbly enjoyable to being a source of major psychic damage, and even the simple act of replacing your initial tier I rustic baseball cap means navigating several menus, currencies, and resources.

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Swery’s bloody gambling in Death Game Hotel won’t be his only multiplayer game, he says

Death Game Hotel came out last week – a comically gory game in which players play casino-style card games around a table and raise the stakes by betting their own limbs. It’s a VR game, which is a break from the norm for White Owls, the studio run by Hidetaka “Swery” Suehiro (then again, what is their “norm”?). It’s also got a big multiplayer component, with lots of jovial bubble-popping and chicken-squeezing between the comedy blood spurts. And this taste of multiplayer mischief has Swery’s head percolating. This game won’t be his last dipped toe in the multiplayer ocean, he told us.

“In the future,” said Swery, “I would like to leverage this experience to challenge myself with something new in the online multiplayer realm (something you probably haven’t even imagined yet).”

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Like a Dragon: Yakuza series actor sees Kiryu as a heroic character who’s “starved for love”

If there’s one series that can be relied upon to dole out 80-hour helpings of joy straight into my eager face at regularly scheduled intervals, it’s the RPG brawler stylings of Yakuza/Like A Dragon. One could, I believe, make a convincing argument for Yakuza 0 being – if not the best videogame ever made – then at least the most videogame. While this coming October’s Amazon series won’t be the first live action adaption of Yakuza, I am hopeful its episodic format will give its characters a bit more room to breathe. Or, according to Kiryu actor Ryoma Takeuchi in an interview with IGN, to find the love they’ve always longed for.

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Sandbox sequel Supraworld gets loose release date, bringing its shrunken hero to early access this year

“Honey, I shrunk the first-person puzzler. Twice.” This is how I like to imagine the designer of Supraworld explaining the hijinks that unfold in his life. Supraworld, the sequel to toybox explorer Supraland, is going to hit early access this year, say developers Supra Games in an update post on Steam. These are happy words for anyone who enjoyed 2019’s dander among the sandcastles and erasers. A lot of games offer a “sandbox” but in Supraland, the entire world really did take place in exactly that – a sandbox out in a garden, full of toys. The sequel’s launch into early access “might be in october,” says the post. “We’ll see.”

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Schim review: plopping between shadows as a polterfrog makes for a very comforting puzzler

Lots of games use frogs as a means to appeal to those who believe they are cute, me being one of those people. The humble croaker dominates the wholesome category, where they take centre stage in farming sims or as detectives or as green lads who hop over platforms and hurt enemies by lashing them with their tongues.

Schim is different: you play as a frog of the shadows, not some green attention-seeker. And in a mundane world of vibrant colour, you’re to bounce between patches of shade in search of a human pal whose shadow you’ve been unwittingly severed from. What ensues is a charming puzzler of both freedom and flow, which genuinely has you view everyday environments through the googly eyes of a phantom amphibian. It’s a lovely thing, if perhaps not as emotionally charged as it implies early on.

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What’s on your bookshelf?: Special super secret bonus edition

Hello reader who is also a reader, and welcome back to Booked For The Week – our regular Sunday chat with a selection of cool industry folks about books! Something magical has happened! And by magical, I mean that I’ve bollocksed it up. Through a web of devious plots and shocking coincidences too labyrinthine to list here, I’ve gone and messed up my schedule. As such, we don’t have a guest this week.

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A big Steam sale of IGF award winners and finalists is now underway

There are a lot of video game awards and most of them are simply popularity contests, and therefore also stinky borefests. The one that isn’t, in my eyes, is the yearly Independent Games Festival awards – the IGFs.

The IGF Celebration Days Steam sale provides plenty of examples as to why, with discounts from now until July 20th on winners and finalists from throughout the IGF awards’ history.

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