Retro RPGs meet the world of pro wrestling in WrestleQuest, releasing this August

The world of pro wrestling slams into an SNES-era RPG with WrestleQuest, which now has a release date of August 8th. Inspired by the older Final Fantasies and Dragon Questies, you’ll be engaging in turn-based brawls and running around in magical pixel realms. But unlike those games, you’ll climb the wrestling ladder from fresh-faced rookie to world champ – instead of the usual RPG trope where you go from a village’s rat-killer to the universe’s god-killer. Watch WrestleQuest’s latest trailer below:

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Diablo IV review: 2023’s prettiest RSI machine

Playing Diablo IV gave me a real case of the “have I changed, or have the games changed?”, and I think the answer is “yes”. For the uninitiated, Diablo forms one of the jewels in Blizzard’s crown (maybe a smaller one, just offset to the Warfcraft centre stone), an action-RPG series that’s like if the kind of 90s metal album cover that has a skeleton on it asked to be turned into a game where you explode many hundreds of near-identical monsters to get incrementally better loot. This is a spoiler-free review of the latest greatest addition, following 2012’s Diablo III, but a Diablo game’s story is sort of unspoilable, both because a) paying attention to it is of passing importance to playing, and b) the plot of them is always basically the same anyway.

To wit: Sanctuary, a high-fantasy world with a low-fantasy vibe, and where so much as going to the next town over will be a brush with some horrible little goblin rat called a Flesh Thresher, was created as a respite from the eternal battle between heaven and hell. After X number of years of relative peace, one (or many) of the Lords Of Hell is doin’ some bad stuff. Usually Diablo, I’ll grant you. In this case it’s Lilith, a kind of Dante’s Lady Dimetrescu, who’s making people horny for being stepped on power. Diablo games have always had a Grand Canyon sized gulf between the cinematics (epic; luscious; brutal) and the game in practise (clicking). IV is no different. And you know. It’s fine.

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Crucial T700 review: an untethered, unaffordable PCIe 5.0 SSD

When I previewed an early production sample of the Crucial T700, the theoretically fastest drive in the PCIe 5.0 SSDs vanguard, I said the price must be right for launch. Here was a drive that didn’t really move gaming performance beyond the best SSDs of the PCIe 4.0 generation, but could boot general read and write speeds into the stratosphere. That could be worth upgrading to, if the T700 itself stayed within reach of most PC owners.

Reader, the price is not right.

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Tetris has a sand-based remix that’s devastatingly good for procrastinating, out now for free

Tetris gobbled up so much of my time during the early years of university, partly because it functioned as a quick break between writing essays. Those quick breaks soon became trances though, as my eyes stayed unblinking and my fingers snapped across the keyboard with a mind of their own. The best game of all time, some might argue. Professional procrastinators can now rejoice as there’s a new way to play the blocky puzzler: Setris, or Tetris with sand.

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Screenshot Saturday Tuesday: The most realistic game about video game journalists

Every weekend, indie devs show off current work on Twitter’s #screenshotsaturday tag. And every week, I bring you a selection of these snaps and clips. We’re running late again because of Monday’s holiday, but the games are still just as good. This week, my eye has been caught by big spaceships, some sort of Looney Tunes logic take on Hitman, and a game about the very real lives of the video games media. Come see!

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System Shock: The oral history of a forward-thinking PC classic

For a certain sort of PC gaming fan, System Shock is where it all began. 30 years of immersive sim development started here, as Looking Glass escaped the restraints of the RPG genre and embraced thoughtful first-person action. SHODAN broke free, and the world was never the same. Without System Shock, there would be no Thief or Gloomwood, no Prey or Dead Space. Bioshock was conceived as its sequel. The creative figureheads behind Deus Ex and Dishonored were wrapped up in its creation, and forever changed by contact with Looking Glass and its unique philosophy.

Countless studios have used Citadel Station as a star to steer by, measuring their own work against System Shock’s commitment to simulation, dense atmosphere, and method-ish refusal to break character. This was not so much a game as an alternate reality. As one of our interviewees tells us: “We were trying to build the holodeck.”

Here’s the story of how it was made, as told by the people who made it.

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