My Time At Evershine promises to bring a new art style and expanded co-op to the farming life sim

Farm life sim snowclone My Time At X is getting a third entry. My Time At Evershine looks to feature more sowing, reaping, kissing and combat, similar to the previous games My Time At Portia and My Time At Sandrock, but with a new art style, campaign co-op and citybuilding elements. You’ll get a glimpse of the new art style in the announcement trailer below.

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Gold Teeth is a tabletop RPG about “piracy and occult horror” from RPS pals Jim Rossignol and Marsh Davies

We don’t write much about board and paper games around these parts, not since Cardboard Children was sent to the dissolving pits. I still feel that roleplay and strategy gaming has a home here on RPS even when it’s not digital though, and doubly so when it’s the work of our former comrades.

Enter Gold Teeth, a tabletop RPG “of piracy & occult horror” which just cleared its Kickstarter funding goal, and which is designed by Marsh Davies and Jim Rossignol (RPS in peace).

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Saber won’t say whether their CEO wrote this highly baity comment about games “imposing morals on gamers”

Yesterday I watched a Youtube video about Warhammer 40,000: Space Marine 2, in which sundry, gesticulating milords of the internet opine that they had “forgot what it’s like to be the target audience” for games, hailing the new (and for our money, fairly good) Warhammer 40K shooter as a throwback affair that “oozes masculinity”, with no excess feelings or real-life social relevancy. I then combed through several thousand comments below said video, many of which expressed similar longing for the hypothetical Good Old Days, before those wily feminists invaded the medium, transformed every game into a LGBT+ weeping simulator, and threw all the Real Men into a big hole. I did this because I was searching for one particular comment written by somebody claiming to be Matthew Karch, CEO of Space Marine 2 developers Saber Interactive.

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Metroidvania Marko: Beyond Brave describes itself as “Slavic Silksong”, and is out now

As I’m sure as is the curse of anyone who’s watched the entirety of Peep Show multiple times, I cannot read the name ‘Marko’ without hearing it in a nasally Australian accent, inquiring about cocaine. This is probably a disservice to the hero of colourful metroidvania Marko: Beyond Brave, who a quick goog tells me may be based on Krali Marko – a popular character in the folklore of Studio Mechka’s native Bulgaria. Folk hero or not, Marko certainly has some heroic facial hair: his moustache floweth so bountifully that it can’t be contained in his character portrait. Extremely powerful of him.

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EA confirm that Respawn’s next Star Wars Jedi game will be the series’ “final chapter”

As per EA’s recent generative AI tugathon, the third game in Respawn’s action adventure Star Wars trilogy has been confirmed again to be in development. According to EA, it’ll be the “final chapter” in the now-trilogy, following 2019’s Jedi Fallen Order and 2023’s Jedi Survivor.

The existence of the game was first confirmed by Cal Kestis actor Cameron Monaghan, during an Ocala Comic Con panel. “We’re working on a third and we’re in the process of doing that right now,” said Monaghan, which is about as straightforward an affirmative as one could want. It was also double-confirmed this February, following news of layoffs at EA, via Eurogamer.

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Skate heelflips into my calendar with an early access release some time in 2025

The upcoming skate. game now has an (admittedly vague) early access release date of 2025, according to a post by the developers on Xitter. It’s difficult to write about the new skate. game because if you choose to write skate. with the imposed stylings which skate. publishers Electronic Arts insist, you end up putting a full stop after every instance of skate., which makes your sentences about skate. sound fucking stupid. and. belaboured. with. pauses. Game makers, please stop putting punctuation in your game names.

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LYMBUS is hostile to my existence and keeps demanding brain cells I haven’t grown yet

What are you LYMBUS? In what vat were you grown? I feel like I’ve sluggishly ambled my way down to the fridge and tried to scoop a gherkin from the jar, only to find a disconcertingly tasty sliver of my own brain. Like a creature from Flatland trying to play 4D chess, and all the pieces are just tiny carvings of my face with “lol get a load of this prick” whittled into the forehead. I quite like it.

“We combined your favorite genres into one grotesque piece of software! You’re welcome, game journalists,” reads the Steam page for the demo. That is a very polite way to kick me in the head and call me a bitch, LYMBUS.

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You’re now much stronger against tanks and armour in Helldivers 2, as Arrowhead patch for “more versatile” tactics

Last month, Helldivers 2 studio Arrowhead thrust a white flag out from their shelled position in an attempt to placate mutinous fans of the co-op shooter. In response to a community sentiment best summed up by a popular Reddit post titled “Let the super earth burn”, Arrowhead released a statement. “In short, we didn’t hit our target with the latest update…what matters most now is action. Not talk.” Said action (which it must be pointed felt a bit troublingly reactive to the loudest and most histrionic voices in the roo..uh, subreddit) was foreshadowed in a list of issues to be tackled over the coming months.

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Frostpunk 2 review: I became a dictator because everyone was so goddamn annoying

Frostpunk 2 was an ambitious gambit. With survival achieved, and the introduction’s excellently sinister advisor whispering evil Tory ideas, the whole city you built in Frostpunk is now just the headquarters for a sprawling expansion effort, and your rule is no longer absolute. Rather than retread the same “prepare for ultra-Winter” ground, your biggest obstacle will likely be your own people, now formed into shifting political parties, and looking outward with colonial eyes. The result is a complicated, laborious survival citybuilder that’s two parts compelling, and one part frustrating for the wrong reasons.

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