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The owners of Elden Ring developers FromSoftware have dampened hopes that long-awaited DLC Shadow of the Erdtree might release in time for the soulslike’s second anniversary this month – despite recent rumours and behind-the-scenes Steam updates indicating otherwise.
When I first saw Never Grave: The Witch And The Curse rising up the Steam Next Fest charts at the end of last week, I thought, “Oh! That’s a neat Hollow Knight-looking Metroivanida roguelike, I’ll definitely give that a go.” And having played its demo over the weekend, I can confirm: it’s certainly an intriguing little thing that I’ll be keen to keep an eye on when it launches into early access, possibly sometime next month.
The biggest surprise was that, despite its very Hollow Knight-looking visuals, it actually plays more like Dead Cells in practice. Instead of being a sentient lump of flesh able to inhabit infinite bodies, you’re a magical witch’s hat that can possess, discard and rematerialise your chosen sack of limbs at the touch of a button. The second thing that surprised me was that it also has quite a substantial base/village building aspect to it on the side, and the third – well, perhaps this isn’t so much of a surprise given everything I’ve just said, because it also turns out this is the next game from Palworld developers Pocketpair. Yep, it all makes a bit more sense now.
The major thing Inflexion’s fantasy survival sim Nightingale gets right is that it makes procedural generation feel like sorcery. “Procgen” has become a ubiquitous concept in game design and especially survival game design, and I fear we’ve all lost sight of how magical it is to summon a landscape full of idiosyncratic flourishes from a hidden dataset. It’s partly, in fairness, that many semi-randomised settings feel indistinct, smooshed together with little of the character you’d get from a “hand-made” environment and setting. Nightingale slices through the ennui in a couple of ways.
One is that this is a relatively storied and text-driven survival experience, with a self-summoning fairy narrator, Puck, who immediately buries you in Shakespearean turns of phrase as he weaves the history of a multiple-dimensional universe of “Fae” realms, roamed by creatures of Irish, English and Scottish myth and legend. I’m not sure Puck will be everybody’s cup of tea as principle quest-giver and narrator – according to Inflexion boss Aaryn Flynn, some early players have struggled to make head or tail of his dialogue. But he helps conjure up an eldritch mood that sets Nightingale apart from most genre fantasies, including the Dragon Age titles Flynn once worked on at BioWare.
Every weekend, indie devs show off current work on Twitter’s #screenshotsaturday tag. And every Monday, I bring you a selection of these snaps and clips. This week, my eye has been caught by high-speed platforming, a creative use of your own corpse, a contribution to the yellow paint discourse, and more. Check out these attractive and interesting indie games!
Helldivers 2 is yet another example of a predominantly co-op game being a victim of its own success. Since its launch, the servers have buckled under the weight of keen conscripts ready to exterminate some bugs. There’s been frequent disconnects, matchmaking issues, and post-game rewards not showing up for some folks. But Arrowhead CEO Johan Pilestedt has offered some comfort, saying that they’ve popped three hotfixes live to fix some of these issues.
It’s the middle of February, and the games are afoot. This week brings at least one major news event in the shape of a “business update” from Microsoft about “our vision for the future of Xbox”, which is widely rumoured to be the announcement that first-party Xbox titles will come to rival consoles. Why is this of interest to us, a PC gaming site? Well, because console gaming can’t help but shape the weather for PC gaming; more specifically, Microsoft’s alleged multiplatform ambitions seem to reflect the plateauing of Game Pass subscription growth, which has become the cornerstone of the Xbox biz.
Ultros is one of those games that’s born to stick in the memory. Not only is it one of the most visually vibrant games of the year so far with its neon colour palette that’s an instant-KO-to-my-eyeballs, but the way it twists and rewires core tenets of the Metroidvania rulebook also make it one of the boldest and most daring examples of its genre. I’ll say it now: it doesn’t always stick the landing. But if there’s one thing Ultros does constantly throughout its 15-odd hour runtime, it’s that it’s always, always interesting. And for that, it has my respect – even if by the time the (first) end credits rolled, I was ready to never touch it ever again.
The best games are co-op games, and one of the best features of Steam is Remote Play, which turns local co-op games into online co-op games through the power of internet magic.
This week brings Steam Remote Play Together 2024 Fest, a mouthful that means there will be discounts and demos for co-op games on the digital storefront.
You might remember Stacklands, a joyful survival village builder in which you stack and combine cards to craft and advance your society. WitchHand, which released this week, takes the same concept and applies it to developing your own witches coven.
An upcoming game about taking planet-wrecking corporations to court hopes to go beyond its onscreen battles by raising money for real-life environmental aid. Behind All Rise is a team including both climate experts and top-notch games talent with credits spanning Horizon Forbidden West, Thirsty Suitors, League of Legends and Paradise Killer.
