Editor’s Note: The war in Ukraine is an ongoing, painful and emotive topic. IGN urges community members to be respectful when engaging in conversation around this subject and does not endorse harassment of any kind.
With its operations in Russia wound down to the bare minimum, Nintendo still has some obligations to customers in the country who bought Nintendo products before the company left. But according to a recent official statement, Nintendo seems to be looking at a fairly controversial figure to form that partnership.
Questions about Nintendo’s Russian operations began thanks to a report by Russian outlet Kommersant (via Eurogamer), which pointed out the sale of Metroid Prime Remastered in Russia thanks to a company called Achivka. Its appearance on the market was surprising, given that Nintendo wound down operations in the country over a year ago following Russia’s invasion of Ukraine, including the shutdown of the Russian eshop.
Achivka is owned by Yasha Haddazhi, who also happens to be the head of Nintendo Russia, and a fairly controversial figure even without the side import business. Back in 2018, fans called for Haddazhi’s removal as Nintendo Russia head after footage circulated of him verbally abusing hosts of a Russian Mario Kart stream. Additional Russian language reports suggested further abusive behavior toward employees, especially inappropriate remarks made to women who worked with him, and at the time Nintendo confirmed it was investigating his conduct. While the results of the investigation were never published, Haddazhi clearly remained in his role at least until the shuttering of Nintendo Russia last year.
Nevertheless, Nintendo now appears to be considering an ongoing relationship with him. In a statement to Eurogamer, Nintendo reaffirmed its cessation of Russian operations except for “legal, contractual, and administrative requirements.” Its Russian employees contracts have ended, but Nintendo did not say one way or another whether or not Haddazhi was still in his role.
Nintendo still wants to work with Yasha Haddazhi
It did, however, confirm it is seriously considering working with his company, Achivka, as a business partner to offer a “repair and warranty service” for existing Nintendo products in the country. But in the same statement, Nintendo claims no affiliation with companies offering import services like Achivka seems to be running.
We continue to investigate solutions to honour preceding commitments to our customers in the Russian market. In this vein and a spirit of transparency, we are in advanced discussions with potential suppliers of repair and warranty service for Nintendo products that had already been sold in the Russian market, with LLC Achivka being one such potential supplier.
We are aware that several companies in Russia operate parallel imports of goods, including Nintendo products. Nintendo is not affiliated with such companies and has no involvement in parallel import activities in Russia.
The first thing changing is dungeon layouts, with Blizzard saying one of the most common pieces of feedback it received was around backtracking within certain dungeons. Multiple dungeons have since been optimized to reduce this, including Caldera Gate, Defilied Catacombs, Derelict Lodge, Forbidden City, Hoarfrost Demise, Immortal Emanation, Kor Dragan Battacks, Maulwood, and Rimescar Caverns.
“Our primary goal with the layout changes was to reduce certain kinds of backtracking which detract from a player’s experience,” Blizzard said. Structure objectives that previously existed down side paths have now been repositioned to the main area, for example.
“While our dungeons offer a variety of objectives to complete, player feedback stated that the action of completing each objective felt tedious.”
Dungeon events will also occur much more frequently in the final version, as Blizzard has increased the chance for an event to spawn in dungeons from 10% to 60%. Quality of life improvements were made too, such as removing the wait time when depositing an Animus, increasing movement speed when carrying Ancient Statues and equivalent items, and adding a mini-map ping to newly open doors.
“While our dungeons offer a variety of objectives to complete, player feedback stated that the action of completing each objective felt tedious,” Blizzard said. “We hope that providing bonuses, such as the increase to mobility while carrying certain objective items, will streamline and vary the experience of completing objectives. This adjustment is merely a starting point, and we intend to extend this philosophy to keys in a future update.”
Cellars have seen similar changes, as Blizzard has increase the chance for a dungeon event to occur in Cellars. They also now consistently reward players with a chest upon completion. Issues have also been fixed where Cellars would prematurely be marked as completed and the guaranteed elite monster would be absent from the Cellar.
Classes are also changing
Changes have been made to classes too. The Barbarian has received a passive 10% damage reduction, its Whirlwind skill now deals more damage and costs more Fury, and the Double Swing enhancement refunds its full Firy cost when used on Stunned or Knocked Down enemies.
The Druid’s Companion skills will now deal heavily increased damage, all Ultimate skills have had their cooldowns reduced, the usability of Maul and Pulverize has been improved, and using a non-Shapeshifting skill will now transform a Druid back to their human form.
The Necromancer’s summoned minions will die more often, meaning players will need to utilize corpses more often. Meanwhile, many Book of the Dead stat bonuses have been increased, the Corpse Explosion skill has had its damage reduced, and the brightness of Skeletal Warriors and Mages has been lowered.
The Rogue’s Subterfuge skill have had their bonuses increased alongside multiple passive skills, while all Imbuement skills have had their cooldowns increased.
Finally, the Sorcerer’s Charged Bolt’s damage has been increased and the mana cost reduced, Chain Lightning’s damage has been reduced, and the cooldown of the Incinerate skill’s enchantment bonus has been reduced. Firewalls will also now spawn underneath enemies more frequently when using its enchantment bonus and the Lucky Hit chance has been increased for the Meteor skill’s enchantment bonus.
“Whenever we introduce changes to our Classes, it is with the goal of making both them and their Skills feel impactful and powerful,” Blizzard said. “Your feedback has helped us uphold this ideal.
“Some players have adeptly noticed that certain Skills were too powerful. One of our goals for Skills is to have them be interesting to wield and interactive in terms of itemization and combat feel. We’ve made some changes to help in this regard, with one example being the Necromancer’s Minions. We’ve made a change that makes them more vulnerable in combat, which will make raising the dead a more active component of the Necromancer’s gameplay. Launch is just the first step of our class balance journey, and you can expect further updates that iterate on this pillar of Diablo 4.”
A better quality of life.
Blizzard is making further quality of life changes alongside fixing a ton of known issues in Diablo 4 like the Butcher boss becoming unresponsive. A lot of these changes are coming to the game’s user interface, as Blizzard is shifting things around to allow for a better experience.
This starts with the Chat box now being displayed on the left side of the screen when using the centred action bar configuration. A character’s stats will also now be displayed by default when players click the Materials and Stats button within their inventory, while the Move and Interact inputs can now be mapped to one button while the Primary Attack input is mapped to a secondary button. Finally, the text is being changed to a new serif font.
Blizzard will discuss these changes and more in a developer update livestream taking place on April 20 at 11am Pacific / 2pm Eastern / 7pm UK. Game director Joe Shely, associate game director Joseph Piepiora, and associate director of community Adam Fletcher will also share details about the endgame.
Destiny 2 developer Bungie has revealed a hardened policy designed to deal with cheaters who use third party peripherals that “manipulate the game” to provide an unfair player versus player advantage.
“Our community has grown increasingly frustrated by a form of cheating that uses third-party peripherals with the intent to manipulate the game client,” read a post on the Bungie website spotted by GI.biz “These devices are plugged into a computer or console, where they can, for example, execute simple scripts or trick the game into giving you extra aim assist.”
Bungie made a point of not naming the creators of the offending hardware, but stressed that it would hand out restrictions, warnings, and bans to individuals who use “external aids” specifically designed to “gain an advantage over other players”.
These aids include “programmable controllers, keyboard and mouse adapters, advanced macros, or automation via artificial intelligence” that improve a players ability to control the game by, for example, reducing weapon recoil or increasing aim assist.
However, the Destiny 2 developer stressed that it’s trying to balance protecting its community from cheaters while making sure that the maximum amount of people can play the game. To this end the policy notes that “simply using an accessibility aide to play Destiny 2 where a player could not play otherwise” would not be a violation of the policy.
Later in 2023 Bungie won another $4,396,322 from cheat makers AimJunkies, who were responsible for creating and selling aimbots for use in Destiny 2. The developer has since filed yet another lawsuit, this time against the company LaviCheats, in which it is pursuing $6.7 million in damages.
Anthony is a freelance contributor covering science and video gaming news for IGN. He has over eight years experience of covering breaking developments in multiple scientific fields and absolutely no time for your shenanigans. Follow him on Twitter @BeardConGamer
Like its predecessor, Star Wars Jedi: Survivor is a game packed full of massive, striking environments and memorable creatures. It seems only fitting that the game receives an art book that delves deeper into the design and evolution of such an ambitious Star Wars project.
IGN can exclusively reveal The Art of Star Wars Jedi: Survivor, the latest in Dark Horse’s ever-growing lineup of video game-themed art books. Check out the cover art below:
The Art of Star Wars: Jedi Survivor is a 192-page hardcover book featuring a mixture of concept art and developer commentary on the game. The art featured within ranges from early concept designs to final renders of the games environments, characters, weapons and ships.
In addition, Dark Horse will be releasing a Deluxe Edition version of The Art of Star Wars Jedi: Survivor. The Deluxe Edition includes additional bonuses like metallic printed elements, a protective slipcase and a folio with an exclusive lithograph print.
The standard hardcover is priced at $49.99, while the Deluxe Edition is priced at $99.99. Both versions will be released on December 12, 2023 in bookstores and December 13 in comic shops.
EA recently released the final gameplay trailer for Jedi: Survivor ahead of the game’s releaselater in April. In our preview of the game, IGN said: Our “main takeaway from roughly five hours with the upcoming sequel, Star Wars Jedi: Survivor, is that it felt like [we were] systematically crossing off the issues I had with Fallen Order.”
Jesse is a mild-mannered staff writer for IGN. Allow him to lend a machete to your intellectual thicket by following @jschedeen on Twitter.
A good strategy game is ultimately one about choice. Which units to create, where to allocate resources, which strategies to implement. The right decisions lead to victory, while the wrong ones force you to adapt and adjust or else suffer bitter defeat. I found myself at the crossroads of these decisions time and again as I played Minecraft Legends, Mojang and Blackbird Interactive’s simplified take on an action-RTS. It doesn’t always do a perfect job opening the door of this often intimidating genre to a wider audience, but the way it largely manages to streamline things without losing most of those important tactical moments is what makes Minecraft Legends work.
Simplicity is one of Minecraft Legends greatest strengths. Evil Piglins from the Nether are invading, because that’s what evil Piglins do, and it’s your job to build up the forces needed to drive them back. You’ll do that by exploring a procedurally generated continent for resources, allies, and secrets to discover, destroying Piglin bases and defending friendly settlements from the invaders as you do. There are no levels, and the minimalistic story is mostly just cutscenes announcing the arrival of larger Piglin forces. Once you’ve cleared all the Piglins out, victory is yours, and you can start another run from scratch on a brand new map.
Minecraft’s iconic blocky style has been well established across its many spin-offs and adaptations by now, but it’s still extremely well implemented here. The entire world looks like it was pulled straight from the main Minecraft series, with landscapes, NPCs, and blocks of ore that are identical to their counterparts. It all looks great thanks to a vibrant color palette and some excellent lighting – as is Minecraft tradition, nights bring added danger from aggressive enemies, but it’s hard to dread their arrival when it’s preceded by gorgeous sunsets over stunning vistas.
Unlike Starcraft or Command and Conquer, where you occupy the seat of some far off overseer commanding a complex legion of forces from above that landscape, Legends puts on you the field of battle directly similar to the Overlord series, giving you control of a warrior fighting alongside a small squad of summonable units. There’s a handful of interesting unit types, each with a very clear niche that they fill. Cobblestone Golems have a lot of health but aren’t great at dealing damage quickly, Plank Golems are the opposite, Mossy Golems heal, etc. The fact that it is so straightforward is great, as it makes it easy to jump right into the action without a steep learning curve or thick manual to memorize.
Smaller army sizes help keep things manageable.
The commands you give your soldiers tend to boil down to “go kill things over there” or “follow me” and are equally easy to issue whether you’re using a gamepad or mouse controls. That’s partly thanks to armies being made of dozens of units rather than hundreds, which keeps things manageable. It’s genuinely fun to smash the gate of a Piglin Fort and send in a horde of your own to run roughshod over everything in its path.
There are some drawbacks to that simplicity, however. In theory, certain units work great as counters to specific enemies – Skeleton Archers, for example, should be the go-to choice for dealing damage to the massive flail-wielding Portal Guards from a distance. But abundant resources and the ability to instantly spawn forces sometimes makes it easier to just overwhelm enemies with pure numbers, taking a lot of the thought out of certain battles.
It’s also disappointing that there’s no way to create battle groups of specific units – you can command all of a certain unit type at once, but not custom groups of mixed troops. It would have been great fun to be able to quickly issue orders to a squad of damage spongy zombies mixed with healing units to push the front line, supporting them with a group of archers protected by Plank Golems raining pain upon the Piglins. But that level of fine control isn’t really feasible, and that’s a shame.
Fortunately, the fact that you participate directly in battles brings with it a chance to make some clever choices. As the hero, you are significantly more powerful than any individual soldier in your army, always mounted and armed with a sword that swings in wide arcs. This opens up opportunities to do things like create swarms of Cobblestone Golems for an invasion, then tell them to focus on destroying buildings while you protect them, or send units to guard one side of a friendly settlement while you cover the other. It’s the kind of mental push-pull that makes strategy games so much fun.
Figuring out the best way to build each base is a lot of fun.
This wouldn’t be a Minecraft game without gathering resources and building, and that’s translated in a slick and intuitive way. Allays are small fairy-like creatures that assist with these tasks – one type focuses on resource gathering, letting you point them at a grove of trees or a quarry filled with ore and strip the resources completely independently, while the other carries out building instructions, quickly assembling structures like golem spawners or arrow towers, provided the resources are available. It’s an exceptionally easy system to use that works in a very natural way, letting you go from idea to construction with just two button presses or mouse clicks.
The Piglin army will attack a settlement most nights, with each new assault highlighted on the world map, but quickly assembling walls and gates to hold them back is a breeze thanks to those industrious Allays. Figuring out the best way to build each base is a lot of fun – adding structures like an Architect Hut to repair buildings or a Masonry to convert wooden defensive structures to stone is a constant drain on resources, but they can lead to a much more fortified town that’s better able to withstand the rampaging armies of the Nether. The choice of whether to forage for more resources to keep building or hunker down for the coming battle is compelling, and I relished each opportunity to make and execute a plan.
The independent operation of your Allays feeds into the strategy elements of combat in interesting ways, too. I would often find myself defending a settlement from an invading force of Piglins and command walls be built as I fought. If wood supplies ran low, I would have to ride to a nearby forest and start the collection process, letting both sets of Allays work while I continued the fight. But Piglins will go out of their way to target the fragile Allays, keeping this mid-battle backup from being too overpowered by forcing me to think twice before leaving them unprotected.
A structure called the Well of Fates acts as your primary home base. This is where you start, the default respawn location when you die, and where you do most of your upgrading. Destroyed Piglin structures drop Prismarine, which is used to construct upgrade structures that allow you to do things like command more troops or store more materials in general. There’s a limited number of places these can be built, and I found myself sweating the decisions about whether to increase the size of my army, open up opportunities to mine specialty ores like coal and redstone, or add more Allays to expedite resource gathering.
Unfortunately, the difficulty curve has a few kinks in it.
The Piglins themselves don’t sit on their hands (hooves?) waiting for you to build up armies to come smash them, either. They produce bases and outposts of their own, with increasing complexity as time goes on. What begins as some quick pillaging of a few buildings at the start eventually becomes long sieges of intricate fortresses that can take multiple in-game days. Whether to press the advantage or turn your attention toward defending vulnerable areas elsewhere is a constant mental struggle that creates a nice sense of tension.
Unfortunately, the difficulty curve has a few kinks in it. The last few hours of my 16-hour playthrough slowed to a crawl as enemies with massive amounts of health joined the fray, like the heavily armored Pigmadillos. It’s great that enemies with unique designs and attacks still continue to show up, but the size of the armies they fill becomes a slog. This is an even bigger problem when attacking an enemy base on a high plateau – assembling an attack force only to realize half of them fell off a cliff on the march up due to suspect pathfinding is frustrating. Legends loses some of its potential as an onboarding opportunity for the strategy genre because of these endgame struggles.
Fortunately, good construction options can mitigate some of those pain points. Siege tools like the Redstone Launcher, which acts somewhat like a long range cannon fixture, can help clear a landing point, and crafting bridges or stairs to cross gaps and ascend hills is a snap. The Cure Netherrack ability that slowly transforms the corrupted ground under Piglin bases is a standout difference maker, too, allowing the assembly of buildings and golem spawners inside enemy territory. These are fun ways to turn the tide, but it can be a little uncharacteristically daunting that making the most of every single tool in your belt feels like the only viable option to clear the highest level outposts.
Minecraft Legends is fun solo, but it excels in multiplayer.
Minecraft Legends is fun solo, but it excels in multiplayer. The entire campaign can be played in co-op with up to three other friends, where resources are split but everyone has full autonomy to act independently. Dividing tasks like resource gathering, base building, and combat alleviates many frustrations, and it’s just a lot of fun to charge into battle with your allies. It’s the best way to play, and sharing the elation of victory with friends doesn’t get old.
PVP, meanwhile, has an interesting wrinkle to it: two teams go head-to-head on a randomized map, with players on each team controlling a hero while sharing resources and golems. Matchmade games are designed for 3v3 or 4v4, but private games can have any mix of up to four players on either side. One game my team worked to destroy Piglin bases early so we could afford upgrades quickly, focusing on making the most powerful army possible before clashing with other humans. Another game we were wiped out when our opponents stealthily built a Redstone Launcher within range of our base, focusing almost entirely on defending that while it crushed our structures. The strategic elements that other humans can bring are much more interesting than facing the CPU.
As if the final trailer dropping today wasn’t enough, a new The Legend of Zelda: Tears of the Kingdom TV spot seems to have leaked on Reddit, and it includes new footage of a boss and an area we haven’t seen before.
Spoiler warning: If you’re trying to avoid seeing anymore information about Tears of the Kingdom before it comes out, stop here!
The leaked commercial, which was posted on Reddit a few hours ago, intersperses people playing Tears of the Kingdom in various settings and reacting to it, with gameplay footage. There are several new clips we haven’t seen yet, including link walking across some thin, broken beams from sky island to sky island, and using “ascend” to sneak up on some enemies.
But the real gold comes later in the trailer. After seeing a three-headed dragon that looks suspiciously like a Zelda 1 boss make an appearance earlier today in the official trailer, we get confirmation that this is, in fact, Gleeok. A Flame Gleeok, to be precise, hinting that there may be other varieties (ice, perhaps?) elsewhere in the world. Notably, Link is fighting Gleeok on the Bridge of Hylia, meaning that Tears of the Kingdom may have a somewhat Skyrim-like aspect to it where dragons can just swoop down and start fights with you.
The other big new element is a new area we haven’t seen yet. This comes at the end, with a father playing Tears of the Kingdom with his daughter. We see Link in a dark area, but when he shoots a specific plant on the side of a tree, it lights up, illuminating a cool, dark forest area. The area is covered in plants and mushrooms and features a giant glowing gold pod of some sort encased in a tree up ahead.
It’s possible that this trailer gets forcibly taken down by Nintendo sometime soon, but equally likely it’s going to start running on television sometime in the next month. Either way, the mushroom area and the Gleeok fight alone have huge implications for what Tears of the Kingdom could include.
The Xbox Series S is normally priced at $299.99, which is $200 less than the Xbox Series X. However, Dell is offering a refurbished unit with 3 month warranty for only $199.99. That’s $50 cheaper than buying a preowned or refurbished console at Gamestop
Refurb Xbox Series S for $199.99
The Xbox Series S console can still play all of the same games as the Series X. It doesn’t have the power of the Series X, so games are displayed at 1440p resolution instead of 4K in order to maintain the consistent 60fps-120fps graphics you’ll find in most games. If you don’t have a 4K TV or feel like the $200 could be better spent elsewhere (or in this case, $300), then the Xbox Series S might be a smarter purchase.
For more deals, take a look at our daily deals for today.
A brand new PlayStation State of Play has arrived and it was focused entirely on Final Fantasy 16. We already know it is set to be released on PlayStation 5 on June 22, 2023, so this presentation was all about learning more about the game’s world, spectacular Eikon battles, combat, base camp, and more.
We are here to break down all the big news from the State of Play and hopefully give you even more reasons to be excited about Final Fantasy 16.
The Epic Battles of Eikons and Clive Rosfield
The State of Play gave us another big glimpse at the combat of Final Fantasy 16, including the showstopping battles between Eikons, which some may know as Summons from previous games like Ifrit, Shiva, Ramuh, Titan, Bahamut, Phoenix, Garuda, and more.
These epic Eikon battles change up the combat in a big way, and can be anything from a “3D scrolling shooter” to a “heavyweight wrestling match.” The scale of these battles is also unlike most anything we’ve seen in a Final Fantasy game, and some of the bigger Eikons like Titan Lost make others like Ifrit, who look massive in comparison to Clive, look like little action figures.
The battles themselves will surely be one of the big ticket items in Final Fantasy 16, but Eikons play such a huge part outside of these showcase battles. For example, many of the skills Clive unlocks will be earned through these Eikons as you encounter them. You will be able to unlock and upgrade these skills via ability points and will help turn Clive into a magical powerhouse that uses the best parts of the Eikons.
Speaking of Clive, players will only ever play as Clive. There will be companions that join you along the way, but they will be controlled completely by AI. However, Clive will have Torgal by his side for most of the game, who happens to be the goodest dog a hero could ever ask for, and they will be able to issue Torgal commands and, perhaps most importantly, give him treats.
We’ve learned a lot of this before, but Final Fantasy 16 has accessibility items that can be equipped to make the game more approachable for anyone who wants to try it out. These rings, including the Ring of Timely Focus and the Ring of Timely Strikes, will offer assists in combat. The ones mentioned here will slow down time when you are attacked so you can focus on executing a combo attack with the press of just one button.
Clive’s Hideout Is a Base Camp Filled With Characters, Side Quests, Shops, and More
Players will be traveling through the realm of Valisthea in Final Fantasy 16 and will visit incredible and varied locales, but all roads will eventually lead back to Clive’s hideout. This is a base camp of sorts that will let Clive prepare for the challenges ahead in many different ways.
Alongside standard shops that will let you purchase weapons, armor, and consumables, there will also be a blacksmith that will allow you to upgrade your equipment. One of the more exciting spots for high score chasers will undoubtedly be the Arete Stone, which at first just seems like a training mode.
This stone will transport you to a virtual training stage that is “outside of time and space.” You can set a bunch of variables in this mode to test out new combat or abilities, including which enemies you want to fight, if you want regen on, and more. However, there will also be an arcade mode that will keep track of high scores for players around the world. This mode will allow players to show all others that their Clive would reign supreme.
Clive’s hideout will also be a place to begin side quests or complete others you have gained already. In a very convenient map function, you can check your existing sidequests and travel right to them. In addition to standard side quests, players will be able to get their Witcher on by taking Mob Hunts from a friendly Moogle and proceed to take on monsters with bounties on their heads.
If you find yourself tired of combat and need a change of pace, you can visit Loreseman Harpocrates to learn more about the history and customs of Valisthea. Visiting Harpocrates often will be a great thing for players to do as tales of your adventures will help him complete his Thousand Tomes, a book filled with all the knowledge he’s gathered in the realm. For an added bonus, leveling up the Thousand Tomes is done via old-school sprites and classic-style music from the series.
Vivian the Military Scholar is another person worth visiting often as she will keep up up-to-date with the state of the world and its history. Learn more about relationships between characters and events that have taken place in Valisthea. This looks like a great way to recap your adventure, especially if you need to take some time away from the game.
Jeez oh man. That Tears of the Kingdom trailer, right? Rockets, mechs, hot Ganondorf, Prince Sidon, swimming, Link in a flying squirrel suit, and of course, the new best friend of the Tears of the Kingdom community: Bucket Head.
If you somehow missed Bucket Head during the trailer, I can’t blame you. Take a look again; he crops up at roughly 3:12 in the trailer:
Still missing him? Let’s check in with the community for a closer look.
There he is! Who is he? We’ve never seen this man before. He’s just a regular dude, weaponless, who figured he needed some armor for whatever epic battle he and Link and the others were about to go into, and grabbed the nearest object for a helmet. I’m so proud of him, and it looks like Tears of the Kingdom fans are too:
The Bucket Man hype isn’t just on Twitter. The Tears of the Kingdom community on Reddit is alsohaving a fielddaywithhim.
What is it about this guy that’s so relatable? Maybe it’s that in Breath of the Wild, Link’s adventure felt very solitary, even when he was in towns. But in Tears of the Kingdom, he seems to recruit a whole army of not just champions, but also dorks like this fellow who genuinely just want to show up and help save the world with you with whatever they have lying around.
Or maybe it’s because all of us who will play the game are probably closer on the heroism scale to Bucket Head than we are to Link – we’re all just ordinary people doing our best with what we have, but we’re showing up for what matters anyway.
Or maybe it’s just that he looks silly in a trailer that’s largely pretty serious. Whatever the case, I’m your fan, Bucket Head Man.
Rocksteady has officially delayed Suicide Squad: Kill the Justice League to February 2, 2024, quite a few months from its previous May 26, 2023 date.
The developer announced the news on Twitter today, writing in a statement, “We have made the tough but necessary decision to take the time needed to work on getting the game to be the best quality experience for players.”
“Thank you to our amazing community for the continued support, patience, and understanding,” the statement goes on. “There is much more to share in the months ahead and we look forward to seeing you in Metropolis next year.”
However, it’s unclear if this delay means Rocksteady be overhauling any of Kill the Justice League’s live-service elements. At the time of the Bloomberg article, reporter Jason Schreier noted that delays like these are usually for “polish” rather than to “overhaul the core gameplay.”
This latest delay means Kill the Justice League will come out nearly nine years after the most recent major Arkhamverse game, Arkham Knight. It will have players choose between one of four supervillains – Deadshot, Harley Quinn, King Shark, and Captain Boomerang – who are tasked with stopping Brainiac’s invasion of Metropolis.
Alex Stedman is a Senior News Editor with IGN, overseeing entertainment reporting. When she’s not writing or editing, you can find her reading fantasy novels or playing Dungeons & Dragons.
